On November 6, 2014, "2014 The First (Beijing) Music Industry Forum" was successfully held at Communication University of China in Beijing. The forum invited many well-known music industry experts in the world. It is against this backdrop Discussion, I hope this interview to help promote the development of the music industry in China. Wang Ju, vice president and secretary general of China Audiovisual and Digital Music Publishing Association, art media and design institute of Northeastern University, professor of Business School of Northeastern University, senior lawyer of music industry David Herlihy, Northeastern University Art Media and Robert Lyons, a music industry professor at the School of Design and former director of the New Media Department at WGBH Radio and Television in the United States, and Associate Professor Zhang Fengyan at the School of Music and Recording Arts at Communication University of China. They conducted an in-depth discussion on "Music Copyright Amendment," and "The Future of the Music Industry in a Digital Environment." They also discussed "how to compensate for the loss of physical recordings using digital music," "improvement of Chinese music in the act," "music creators , How to get the owner's due compensation "exchange of views. First of all, Zhang Fengyan asked Wang Ju and David Lawyers to brief them on the possible future revision of copyright laws in China and the United States, introduce the key points of the music category, and present the main obstacles in the current revision of the law. Wang Ju, one of the revisers of the Chinese music copyright law, said that at present, different right holders mainly hold two attitudes toward the amendment of the act. Legislators hope the relevant laws of the Chinese music industry will make minor changes on the basis of the original laws. Some experts and scholars think The bill must change dramatically. The revision of copyright law in China has entered the countdown. Relevant programs of the State Copyright Administration have been promulgated. The future is expected to help amend the bill. The core of the change in music will be the rights and interests of sound recording products. David Spencer, a senior lawyer with the U.S. Speaking Course, also said that the music industry in the United States is not optimistic. The gap between the copyright law of 1976 and the actual development of digital music is quite wide. The need for law enforcement is imminent. The rights holders in the United States are also striving for the rights and interests of phonograms. However, due to the balance between the interests is not easy, is still seeking social opinion stage. Since then, four people discussed copyright revision and the future of the music industry in the digital environment in the future. Zhang Feng Yan introduced the current status of digital music, Lyons said that the Chinese music industry and streaming media business model closely linked to the United States deserves to learn and learn from. Wang Ju said that the Chinese music industry is huge. However, due to its shortcomings of strength, imperfect systems and irregularities in law in its more than 30-year history, the current living conditions of digital music are not optimistic and the ecological environment is trapped Vicious cycle. The music industry's revenue, can not encourage creation, grassroots singer times out, but quality is worrying. David agreed with Wang Ju's "Impact of Digital Music on Traditional Music Market" and considered it a global issue. "How to Use Digital Compensation for Physical Losses" and "How to Make More People Understand and Create a Healthy Music Environment System" will be the toughest and most unsolved issues for music industry workers in the future. In solving the problem, Lyons put forward the question of "whether China has the appropriate technical support to establish an active and healthy music industry environment." Wang Ju said that at present China does have such a technology to achieve this goal, but it is even more trickier The problem comes from consumer spending habits. In a series of intense discussions, four people agreed that the establishment of a huge database to tax the hardware, combined with digital listening to data services artists and record companies, from the pilot charges to the general idea of promotion, the music industry may be the future content Both quality and service quality can have a positive impact. Finally, with the common goal of building a positive and progressive musical environment, four experts and professors concluded the conversation in a spark of thought.